Photography Tips « da Silva Photography

I’m a thirty somethin’ mamma, photographer, activist and lover of the outdoors. I grew up in bustling Montréal, Québec, and have been on the West Coast of Canada since 2005. I live in beautiful Victoria, British Columbia (Canada) – a smallish city on Vancouver island, surrounded by awe-inspiring landscapes. I received my education and most of my professional experience in Montréal. I have been photographing professionally for over 15 years. I am inspired daily by great conversation, my daughter, friends, laughter, food, magazines, books, music, film, and the outdoors. As I grow as a mom, partner, friend and visual artist, so does my appreciation for spirituality, sustainability and well-being. Welcome to my blog!

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  • Archive for the ‘Photography Tips’ Category

    Digital back-ups and redundancy

    Monday, July 5th, 2010

    Although every photographer has a slightly different way of attacking the millions of digital images that flow through our hands yearly, it should be said, that there are some basic post-production backing-up standards and habits that will ensure that we will not lose the important digital images that we have worked so hard to create!

    Let us discuss the importance of due diligence and redundancy when it comes to a “fail-proof” back-up system. Because the digital era is still fairly new, we are still trying to get used to these new realities of archiving massive amounts of images. During the analog years, the rules were fairly simple to follow: keep the negatives in archival sleeves, under ideal temperature and humidity settings, in a safety deposit box – voila! It is unfortunately not so simple anymore…

    I have discussed with far too many colleagues who have had the misfortune of losing images because of failed hardware. This is a big reality! You must pre-empt for the worst possible scenario at all times! Most people store their digital image files right on their computer’s hard-drive, and when they think of it, they burn DVD’s of image files which they then store away a few feet from the actual computer. Some people choose to back up their image files from their computer onto an external hard-drive. This is the extent of the average person’s back-up system. This is a very risky way of storing image files, as there is only one level of additional security. If your hard drive fails and your DVD fails, you have lost your images forever. It is important to remind yourself that CDROMS, DVDROMS and hard drives are unfortunately not reliable – they will most certainly fail.

    Which brings us to the question of redundancy. Because we have yet to discover a sure-fire way of properly archiving massive quantities of digital files, we must rely on redundancy to lower the probability of losing valuable files. To create a proper back-up system that is reliable in its redundancy, we must follow strict due-diligence. Some of us choose to have multiple external drives set up to back-up and mirror important information– some that stay with the computer, and some that reside in a safety deposit box at the bank. Others choose to have multiple external drives (mirroring one another) with the computer, a few in safety deposit boxes and some “cloud” back-ups. The scenario that works for you will depend on how confident you are in the equipment… my rule is to always think of the worst case scenario and avoid it at all costs!

    My back-up system looks like this: I download and archive all my current contract files onto an external drive. I work my images from this external drive (so as not to bog down my computer). I have set-up a sync to back-up my current contracts 3 times a day to 2 other physical external drive and to a “cloud” archiving system (over the internet – where they apply redundancy of back-up as well to secure the files). Once a current contract is completed, I transfer it over to another external hard drive (which I call my transition hard drive), which is also mirrored. One of the transition hard drives stays with me at the studio, and one resides away from the studio. A contract remains in “transition” for 6 months and then becomes archived. My archived contracts are stored on mirrored external drives, which reside away from the studio, in a safety deposit box. My computer is also backed-up twice a day (bootable back-up) to ensure that if my computer crashes and I am in the middle of the most important contract of my career (Murphy’s law!), that I can plug in my back-up to another computer and boot my computer and all its files, applications (with all your presets), preferences and contacts and be back working within the hour.

    Rest assured that people are working around the clock to figure out a sustainable and fail-proof archiving system that does not require the purchase of massive quantities of external drives. Until then though, we must protect ourselves as well as our image files.

    It was so much simpler when all we had to do was store negatives…
    Good luck!

    Shooting with available light

    Saturday, March 13th, 2010

    One question I often get asked is, “Do you use flash?”. My answer is: “I prefer not to”. I was trained commercially, using some of the best flash equipment on the planet, and I know how to use them. But I choose not to, for the most part. Life offers us some of the most beautiful lighting and it is literally up to us to step up to the challenge of unpredictability, to seek it and to use it properly. As a natural light photographer, I do make use of reflectors and diffusers to play with the available light and tweak it to my liking.

    I am a portrait photographer, and I have noticed that the average person does not feel comfortable in a studio setting with lights flashing at them. It becomes overwhelming and does take over and interfere with the image capture. My general rule is if I can photograph them outside or in their element with minimal additional lighting, I will do so. The result will inevitably be better.

    Here are some tips for shooting with natural light!

    When shooting outside in full daylight, many people feel tempted to either use flash or place their subjects in open shade. Yes, it is true, open shade makes for easy light, but the more interesting light, the shadows, the sparkle, lies in the sun! Push your comfort level by stepping out of the shade, and shoot tons! Photograph in full daylight, at all hours of the day. Shooting mid-day will be the most challenging, but be creative! Look for interesting shadows and shapes, and play with them. Stop and analyze a scene before shooting and look for interesting vantage points that enable the light to play its amazing tricks.

    When photographing people in daylight, my recommendation is to begin by shooting with the sunlight in back of your subjects. Most people will squint in full sun and/or blink frequently. By backlighting your subjects, you will allow them to be more comfortable and in return they most certainly will be more cooperative!

    What happens with blown-out skies? The answer to that is “nothing”! There really is nothing wrong with exposing for the subject and letting the rest go where it goes. Perfectly lit images (with detail in the whites and shadows) have their place, but I find it can be restrictive and really unnecessary when photographing people (and trust me, I LOVE the perfect Ansel Adams print!).

    With the use of reflectors, you can minimize the contrast and reclaim some detail in the background. A silver reflector will add a nice clean sharpness to the image (I really love a silver reflector when shooting professional headshots), but remember that it is a strong reflector and you do not want to blind your subject! I use a simple white reflector most of the time to slightly open up the shadows but keep the charm of backlighting. I also love playing with sun flares! They are completely unpredictable but can be so lovely! It goes without saying that to make the most out of the use of reflectors you will need extra hands – this is when a helper comes in very handy!

    When using flash, I prefer using it as a secondary light, letting the ambient or surrounding light play the main role. When shooting interiors, I will bounce the flash off the ceiling or off my handy reflector, and create a softer light than shooting forward straight off the camera. It is also a much more flattering light. I typically under-expose the flash 1.5-3 stops and slow down the shutter to let the beautiful ambient light filter in.

    As with everything, practice is a must! Play around, and don’t let intimidation or the unknown guide your decision – you’ll surprise yourself and definitely expand your skills! Most importantly, have fun!

    Photographing Children

    Tuesday, December 15th, 2009

    One of the most fascinating and exciting subjects to photograph is arguably a child. Children can also be one of the most challenging little people to photograph! To really grasp them, in their element, and get more than just a smile can sometimes be a work of patience, cleverness and quick wits. The following tips will help you get those images that stop time, that bring tears to parents’ eyes, and that really tell a story.

    First things first – the prep! Remember to advise the parents accordingly. Always plan for enough time; i.e. you might need 2-3 hours for very young children (nursing / snacks / breaks), and anywhere from 1 to 2 hours for older children. It is not fair to assume that a child will participate and collaborate in the same way a grown-up would. You must adapt to them, and not vice-versa. I always tell parents to make sure the kids have napped and are well fed before the session starts. Always pick a time for the session that is suited to the child’s schedule and you will avoid one of the most common pitfalls.

    Proper clothing is essential! Remind parents that the children will collaborate much better if they are a) comfortable in their clothing, b) if they were given the opportunity to pick out their own outfit. This does scare some parents who might think picture time = take out the Christmas outfit. Gently assure them that the images will be much more telling and less contrived if the child feels comfortable and confident. I love a child who shows up proudly wearing a tutu!

    I strongly suggest starting a session in a familiar place for the child/children; i.e. their home, a favorite beach or park, and then moving locations if desired. When you show up to the session, do not immediately start taking pictures. You will have to gain the child’s and the parents’ trust before anything truly magical happens. I usually sit and chat with the grown-ups for a few minutes and then gently start interacting with the child/children. Remember to slow everything down. I usually ask the parents to step out of the room or of immediate sight (not in back of me…) as I start interacting with the children, camera in hand. Avoid at all cost the mom or dad standing in back of your telling their child to smile and look at the camera! This is another major pitfall! Talk to the children, but most importantly, listen to them (you will inevitably come away from each session a little bit wiser if you do!). Let the magic happen!

    1 – Get down to their level and you will understand their world: crouch, lie down, sit, etc. They will also feel more at ease if you are looking at them from their height.

    2 – Ask them questions and get them talking or thinking. Ask them to tell you their favorite story or show you their favorite toy/rock, etc.

    3 – Let them guide you through the photo session and don’t fool yourself into thinking it’s the other way around. Suggest ideas and encourage things but be flexible.

    4 – Patience, patience, patience.

    5 – Have fun! I assure you, you will!

    Making your subjects feel at ease….

    Tuesday, October 20th, 2009

    My apologies to everyone for not writing a blog post sooner. I was summoned to act as a member of a jury on a criminal trial, and was busy in court for the last week. It was a very interesting experience, and I was humbled by the fact that my profession and experiences would prove to be the determining factors to convicting the accused. In the end, it all came down to pixels and camera resolution, something of which I had much to talk about!

    Now that I am back to my “regular” routine, I decided to address a question that I have been asked quite a bit: “How do you make people feel at ease so that you can grab great portraits of them?” A great portrait is not just a great face! There is much more behind it! I will concentrate on some basic ideas that will help you in either of these scenarios.

    First off, the rules of engagement. How do you create an atmosphere of comfort that inevitably allows your subject to be photographed? I can only share the secrets that seem to work for me.

    1- LISTEN & RESPECT: Most people are not used to being listened to. I love interacting with people and I am genuinely interested in their stories and experiences. I smile a lot and I listen. I promote discussion and an exchange of ideas where the subject feels important and supported. There is no judgment – only compassion, empathy, and understanding for another human being.

    2- RELAX: If you find yourself to be in a nervous or anxious mood, your subject will feel and respond to it by shutting down. The sooner you relax and check your insecurities at the door, the quicker you will both find yourself in a space of trust.

    3- TRUST: Trust yourself. Trust that you can always count on doing your very best. Mistakes happen, but you should not let fear of failure guide you. We have all been in situations where batteries fail, memory cards fill up, equipment breaks…. Perhaps the scariest one is when your creativity fails you, when you just cannot find the magic, when you run out of ideas. While we cannot always have fantastic shoots, remain positive and trust that your different photo experiences will make you grow!

    4- BE GRATEFUL: Be grateful for these amazing moments in time you get to share with different individuals.

    Now for the directing part:

    5- THE PREP: Something I find very useful for women, is to offer them the opportunity of having their hair and make-up done. There is nothing like a little glam session to help a woman unwind. Now, I do say women because most of the men I photograph do not like the idea of having their hair and make-up done – but I do still offer it, and some truly love it. Make sure you trust your hair and make-up person – remember that they are there to assist you in getting a good image of your subject. Always have the make-up and hair person come to you, at your studio or home or wherever you will be photographing and be present while the glam is happening.

    Proper clothing is essential. The clothing must fit well. It isn’t enough that the subject likes the item of clothing – if it does not fit properly, it will not photograph well, and in turn, the subject will not like the final image. Encourage them to bring a few items of clothing and sway their final decision towards something that fits them properly. It is all about helping your subject feel confident and comfortable.

    6- THE SHOOT:
    Encourage your subject to feel confident! Talk to them throughout the photo shoot. Ask them about their favorite activity / book / sport. Ask them about their children.

    Most people will clench their fists, tighten their jaw, or sweat when they are feeling uncomfortable. Remind them that they are doing just fine. I have also noticed most people will lean forward, or tilt their head down. I simply remind them to lift their chin and stand comfortably (I usually say “lean into your pose” which I can’t explain in words but I usually mimic standing comfortably). Talk, talk, talk! Notice angles and light. Notice how the light hits their face / body and adjust accordingly.

    Remember body language and understand the power that an image has in conveying a message (e.g.: crossed arms might make your subject feel more comfortable but might send the completely wrong message).

    *The last few tips are not necessarily applicable when photographing models. Models are used to being photographed and so your role will be quite different. There will be less of a need to ease your subject into the idea of being photographed. Most models are “on” as soon as they are in front of a camera. Your role will be more that of an artistic director – placing the model in a scene, effective composition, etc. You get to play and push yourself photographically!

    Lastly, be sure to thank your subject when the shoot is done.

    I hope these tips are helpful! It is tricky to explain as many of us have completely different approaches. There are no rules set in stone; it is all trial and error. What works for me might not work for you and vice versa. But I am sure you can rely on the first 4 tips….

    Sources of inspiration…..

    Thursday, June 18th, 2009

    People ask me “Where do you look for inspiration?” So many places! Where do I start? Here are a few blogs and websites that I visit & read on a weekly basis.

    Amazing / shocking / inspirational stories told on film. An absolute must. MediaStorm

    TED – “Ideas worth Spreading” – so well said…

    I *love* Barb Uil’s (Jinky Art Photography) images! Based out of Australia, her images of children are breathtaking…

    The incredible ShutterSisters’ blog is filled with tid bits of information, great posts and fantastic images!

    Absolutely yummiliscious architecture magazine! Dwell

    Vogue France

    W Magazine

    and there are so many more……..

    What should I wear to a portrait session?

    Thursday, June 18th, 2009

    My most frequently asked question. I thought I would share some of the tips I give to clients prior to getting their photo taken.

    Keeping it simple will give the best results. For group images, there is no need to make sure everyone wears matching outfits. In fact, a bit of variety always adds character and truly reflects individuality. Be yourselves! You may want everyone to wear jeans, for example, but by letting everyone choose a top and accessories of their liking, you are guaranteed to have better images! Having said this, for group images, let’s try to keep thing neutral! Try to stay away from large prints and patterns, logos, and overly textured clothing.

    Let children be children, as much as possible! I suggest comfortable clothing (*and shoes*) that children can run in, roll around in, and be silly in! By letting your child choose what he or she wishes to wear, you are setting the stage for collaboration! They will most probably pick out their favorite outfit. I love a child who shows up in a tutu or a batman outfit! * Again, stay away from logos (i.e. Gap or Disney t-shirt).

    For headshots, I strongly recommend staying away from light colored clothing. Clothing with a bit of texture or color will work best. This is not written in stone though, and depending on the mood or look we are after, it might be quite nice to have something light colored! Business suits need to fit properly (i.e. tie up at the front), as well as the collared shirt under it.

    Avoid drastic changes to your look immediately before the portrait session; i.e. different hairstyles, tanning sessions, etc.

    It is always best to bring a few changes of clothes to present prior to the shoot. I can help you figure out which items would photograph the best.

    Important reminder – have a great night’s sleep the day before, and make sure you are properly hydrated (with water, not just coffee!) and fed. This will make a huge difference as to how you feel while you are being photographed. Plan accordingly, and try not to be rushed.

    Let’s have some fun!

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